Monday, July 23, 2012

The Bazaar - South Beach


If it wasn't the most eagerly anticipated restaurant opening in Miami, The Bazaar was certainly the most long-awaited. Speculation that Chef José Andrés might be opening a Bazaar in Miami started all the way back in early 2009, shortly after the original Bazaar Los Angeles opened, when the SLS hotel chain started work on the Ritz Plaza hotel on South Beach.[1] The patter continued in 2010. And then we waited. And waited. And waited, as is the customary Miami style.

Finally last month, Bazaar South Beach opened. It was worth the wait.[2]

I've not been to The Bazaar in L.A., but I've been to several other of Chef Andrés' establishments - Washington DC's Jaleo several times, minibar back in 2008, the now-closed Café Atlantico, plus more recent visits to é and China Poblano in Las Vegas. (For more background on Chef Andrés, read my post on é.) The Bazaar borrows bits and pieces from each of them. There are traditional Spanish tapas, many of which are mainstays on the Jaleo menu. There are more contemporary dishes, often derived from items that started as part of the minibar and é multi-course extravaganzas. And there's even a section of the menu described as "Miami Meets the World," an unusual conglomeration of Singapore street foods, ceviches and "nigiri," and several more items with Latin American flavors, similar to the Asian / Mexican mash-up he does at China Poblano.[3] It is a sprawling, ambitious menu - perhaps even more so than the original Bazaar in L.A.

The venue itself is not quite as grand as I might have anticipated, though it's growing on me. The Ritz Plaza is one of Miami Beach's old Art Deco hotels, built in 1939, and like many of the Art Deco properties, it doesn't really have a separate space set aside for a restaurant. What this means is that as soon as you pass through the hotel doors, you've stumbled into the "Rojo" room, the first of two dining rooms of The Bazaar, with the hotel's check-in desk off to the other side of the entrance.

(You can see all my pictures in this Bazaar - South Beach flickr set).


Done up in traditionally Spanish red and black colors but with a contemporary feel, this is the more casual of the dining rooms. Two- and four-tops line the near wall, while larger tables, some bar-height, occupy the middle of the room, flanked on the far wall by a bar and open kitchen.[4] A taxidermied bull's head wearing a lucha libre mask, by artist Mikel Urmeneta,[5] looks out from one wall, while above the bar is a mural by local artist Claudio Picasso that hearkens back to the hotel's original Art Deco style.


On the other side of the bar and kitchen is the "Blanca" dining room, simultaneously a little more posh and a little more cozy. Much of the seating is on well-cushioned sofas; knick-knacks and antique photos adorn ledges on the walls; a massive shell-encrusted chandelier hangs from the ceiling. It looks like it could be your abuela's living room, if your abuela hired Phillippe Starck as a decorator.[6]


A good way to start a meal is with a LN2 frozen caipirinha, a fun bit of tableside cryotechnics by which the traditional Brazilian concoction of cachaca, lime and sugar is mixed with super-cold liquid nitrogen in a dramatic billow of steam to a perfect slushy consistency.


At $5 each, it's also the "Joe's Fried Chicken"[7] of the Bazaar menu, even if the portion size has been tapered back a bit since my first round.


You could alternatively start with "The Ultimate Gin & Tonic," which at $18 is no bargain at all, but is still a very fine drink. Spaniards are obsessed with the "gintonic," and this version plays up that obsession by reintroducing the botanicals typically used in the spirit: Fever Tree tonic, juniper berries, fresh herbs and flowers, and lime mingle in the glass along with your choice of gins.[8]

This will also give you some extra time to peruse the menu, which you're going to need. With over sixty items - even more if you count the selections of Spanish hams and cheeses - it's a fairly daunting prospect, even for an avid menu decoder like myself.[9] Almost exclusively tapas-style small plates, the choices divide into two main themes - "Miami Meets the World" and "Spain Yesterday and Today" - which each get further broken down into several subdivisions. The "Miami" section includes a "Singapore Connection," "Yogurts and Cones," "New Generation Nigiri and Ceviche," "Seafood," "Fruits and Vegetables," "Meats," and "Some Little Sandwiches." "Spain" includes "Latas y Conservas," "Jamones y Embutidos," "Quesos," "Verduras Tradicional," "Pescado y Marisco," and "Carnes."

Ready? Let's dive in.

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Monday, July 16, 2012

State of the Union (of Miami Dining)

I'd been a bit despondent of late over the closing of a couple of my more favorite Miami restaurants. It is, of course, a known fact that the restaurant business is a brutally difficult one. Restaurants - even successful ones - don't live forever, and relatively few have the staying power to last more than a few years.[1] But that still doesn't keep me from becoming attached, especially to places that do things right.


Sustain, in Midtown Miami, was one of those places for me. It wasn't the best restaurant in Miami; it wasn't even the best of the farm-to-table, sustainable-sourcing themed restaurants in Miami (Michael's Genuine remains the category-killer of that genre).[2] But it was a good restaurant. The menu balanced the accessible (fried chicken, burger, pizza, all done quite well) with the exotic (roasted marrow bones with pineapple jam, turnip "carpaccio"). The execution was solid and improved with just about every visit. The staff was friendly and knowledgeable, the cocktails were outstanding, the wine list assembled by Daniel Toral offered some of the best sub-$50 selections in town, the music was great. The Sunday brunch they rolled out shortly before closing was becoming a regular ritual for us. It was the kind of place I could go to the bar and grab a snack, or bring a group of family and friends, and everyone would leave happy. And yet Sustain was - well, unsustainable.[3]


Michelle Bernstein's Sra. Martinez in the Design District was another place that kind of broke my heart a little when I heard it was closing. We were at Sra. Martinez the night after it opened in December 2008 for Mrs. F's birthday, and we were there again the night before it closed earlier this month. Both were outstanding meals, and we had many more in between. There is a long list of dishes from Sra. M that I will pine for if they don't resurface somewhere else: the crispy artichokes with lemon aioli, the eggplant drizzled with honey, the duck and foie gras butifarra sausage with gigante beans, the marrow bones with eel and apples, the egg yolk "carpaccio." But Chef Bernstein has always understood the magpie-like nature of the Miami dining market, the constant attraction to the latest shiny object, and I don't see the Sra. M closing - after a 3 1/2 year run - as a failure so much as a step towards yet another reinvention. Still, I will miss it.

Since I started writing this blog 3 1/2 years ago, I've been feeling increasingly positive about Miami's dining "scene." Though still prone to either chasing the latest trend (food trucks, Momofukian Asian mash-ups) or sticking with the tried and true (steakhouse, generic Italian), the restaurant population these days overall is much more diverse, much more open to creativity, than when I started keeping track.[4] Yet I was still led to wonder: were these closures just the usual market forces at work, or the sign of something bigger? So my co-conspirators in the Cobaya underground dining group, Chowfather, Steve BM, and I gassed up the Cobaya Bus and took it out for a spin to assess the state of Miami dining.[5]


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Sunday, July 1, 2012

I don't care if Monday's blue ...



Miami is not exactly at its most charming in the summmer: the constant 90°+ heat and sweltering humidity can wear just about anyone down. But for those of us who stick it out year round here, there are at least a few good things about summer. There's mango season, for one. And there are the dining specials, designed to bring the locals out from their air-conditioned caves until the tourists come back in the fall.

We're still a month away from Miami Spice season, but there are already enough restaurant specials to fill out nearly the full week of dining. Consider:

Monday - It's not quite every week, but Sugarcane Raw Bar Grill has been using Monday nights to host a "Dinner with Friends" series of guest chef events. Chef Timon Balloo has already teamed up with Jamie DeRosa (Tudor House), Paula DaSilva (1500°), Lee Schrager (SoBeWFF), David Bracha (River Oyster Bar), Dean Max (3030 Ocean), and Dena Marino (MC Kitchen). Coming up next: Cesar Zapata (The Federal) on Monday July 23, and Clay Conley (Buccan) on Monday August 27. Reservations open up on the 10th of each month, priced at $110 including beverage pairings. For more info, email Sugarcane.

Sugarcane Raw Bar Grill
3252 N.E. 1st Ave., Miami
786.369.0353

Tuesday - Every Tuesday through the summer, it's "Bourbon, Beer and Q" night at The Dutch. Each week they will be featuring a different genre of BBQ, with a spread of several mains and sides for a fixed price of $30 (excl. tax, tip and beverages), plus $3 PBR tallboys and $22 pitchers of cocktails. This coming Tuesday, July 3, is Memphis-style, with dry-rubbed baby-back ribs, whole roasted and smoked BBQ turkey breast, and BBQ spaghetti with pork shoulder,[1] plus fried pickles, corn on the cob, and brown sugar sweet potatoes. Every week will bring a different style, with St. Louis, Carolinas, and Korean in the pipeline.

The Dutch
2201 Collins Avenue, Miami Beach
305.938.3111

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Tuesday, June 26, 2012

Cobaya "Dunch" with Chef Micah Edelstein



Many people probably think it's just a gimmick that we refer to our Cobaya events as "experiments." But we really do push chefs to push themselves. This is not simply an excuse to trot out the same old dishes in a fixed price, tasting menu format. If there's one "rule," it's that it has to be an off-menu experience.

What diners may not fully appreciate is that oftentimes, this means they're getting a dish that the chef not only has never served before - sometimes they've never even made it before. And since we're rarely working with chefs who have the opportunity or budget to do a full dry run in advance, often these really are experiments of a sort, and the diners really are the guinea pigs.

That was undoubtedly the case with our most recent Cobaya event, a late brunch ("Dunch") with Chef Micah Edelstein of neMesis Urban Bistro in downtown Miami. Which, to me, makes the meal she put together all the more remarkable.

(You can see all my pictures in this Cobaya "Dunch" at neMesis flickr set)


We wanted to do it on Sunday, when we could take over neMesis' cozy dining room, and that quickly turned to thoughts of brunch. Brunch became "Dunch" (dinner / lunch) when we proposed a noon-ish start time, to which Micah responded "I don't get up before noon on Sunday!" Though we didn't start until 3pm, I suspect she had to rise a little earlier than usual anyway.


The menus on the tables were actually the final iteration of sketches Chef Edelstein prepared both to brainstorm dishes and game-plan their preparation, an interesting insight into both the creative and logistical processes of putting together the meal. Afterwards, she shared with me some earlier versions, which showed how some dishes changed and evolved, and also how each of the components was highlighted or crossed off as it was prepared. I'll show each course here with both the sketch and the final realization.

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Saturday, June 23, 2012

Goes Around ... Comes Around: Spanish Edition

We periodically devote our attention here to the task of tracing how food ideas and trends migrate their way from restaurant to restaurant. As we noted way back when,[1] sometimes the phenomenon is the result of "homage" or "inspiration;" sometimes it's "copying" or "plagiarizing," the lines between which are not always easily drawn. Every once in a while it may actually be a case of genuinely spontaneous independent creation.

Often, what prompts these reveries is the audacity of a chef who claims to have "invented" a dish. Almost invariably, such braggadocio is unwarranted. There is, in fact, very little that is truly new under the sun, and very few culinary creations can legitimately claim to be so completely untethered to what came before as to constitute an "invention."

That apparently doesn't stop Chef Alex Raij: ["Alex Raij on Copycats and Surviving in New York."]

I'll bet I'd really like Chef Alex Raij's food. For several years now, she's put together menus of pretty authentically Spanish tapas dishes for New York restaurants, first at Tia Pol, then El Quinto Pino, then plumbed more deeply the depths of Basque cookery with Txikito, and most recently opened La Vara, which explores the even more esoteric Moorish-Jewish-Spanish food connection. I love all that stuff, and by most accounts, she does it very well.

So why the compulsion to shit-talk other chefs? In the recent Eater piece, Chef Raij simultaneously (1) claims "first" for several dishes; and (2) complains that several other chefs (specifically, Ken Oringer of Boston's Toro, coming soon to NY, and Miami's Michelle Bernstein) have "stolen" dishes, either from her or others. Specifically:

You say that before you opened Tia Pol, no one was doing certain things that are now common.
No one was doing a current expression of tapas. I wanted to dispense with all the Spanish dishes that were on every menu. No one was doing patatas bravas or shishito peppers. Nobody was making bikini sandwiches or pintxos morunos. No one was eating romesco sauce. I'm resentful, in some ways, but not regretful.
...
What bothers me is when people get called innovative when they've taken someone else's idea. Toro is coming to New York, but he straight-up took the uni panini from us. I know he took it, and he knows he took it. It's one of the few original things I've created in my life.
...
Michelle Bernstein took that Bar Mut dish and then got called a creative genius by Frank Bruni.
...
What bothers me is when people don't credit where they took it from. When we borrow something, we give credit and name the restaurants we love in the menu.
Let's take each of those in turn.


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Monday, June 18, 2012

Animal Pizzeria

chefs at work

Not long after Chef Michael Schwartz opened up Harry's Pizzeria, he started putting the space to use for more than just baking pies. In a twist on the "pop-up" genre that is the restaurant industry's latest trend, Schwartz has brought in chefs from around the country to cook for an evening in his little pizza parlor. In November 2011 Harry's held its first pop-up dinner with Gabrielle Hamilton of New York's Prune. Since then, Harry's has played host to a distinguished list of visiting talent: Jonathan Waxman, Marc Vetri, Jonathon Sawyer, and Kevin Sbraga. Last night, it was chefs Vinny Dotolo and Jon Shook, of Los Angeles' Animal and Son of a Gun, who took over the restaurant for the night.

Some folks may know Shook and Dotolo from their successful L.A. restaurants. Some may remember back to their short-lived stint on the Food Network with "Two Dudes Catering." Though I didn't know it at the time, I've actually been eating their food since even before then - they both cut their teeth at the Strand here in Miami Beach (now long gone) more than a decade ago, back when a young Michelle Bernstein was the chef and I was taking Mrs. F there for date nights.

Though Dotolo and Shook had not crossed paths with Michael Schwartz back in the day, they'd become acquainted more recently on the charity circuit, and - lucky for us here in Miami - came back home to put together a dinner at Harry's.

(You can see all my pictures in this Animal Pizzeria flickr set).

kumamoto oysters

Some passed appetizers started things off, including these kumamoto oysters. A cucumber and serrano chile gelee provided a great balance of cool and heat to set off the briny pop of the oysters. Crostini topped with sautéed porcini mushrooms and a rich truffle fondue offered a more earthy starting point for the meal.

triggerfish crudo

Though I enjoy it, often fish crudo seems like a "throwaway" of a dish - fish, oil, salt, citrus, done. Too easy. So this was actually a pleasant surprise: mild, faintly sweet slices of triggerfish swam in a colatura vinaigrette with that unique umami zap fish sauce provides of intense flavor without heaviness. Fresh basil and mint, chopped peanuts, and crispy fried shallots pulled things further in a Thai direction, with a little something different in each bite.[1] I might have worried that the fermented fish funk of the colatura would be a bad pairing with the fresh raw fish, but I loved the combination.

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Saturday, June 2, 2012

Cobaya Carmellini (a/k/a Cobaya Goes Dutch)

We've actually been in talks for this Cobaya dinner since last October, before Chef Andrew Carmellini opened his Miami outpost of The Dutch. Of course, Carmellini has had some other stuff on his plate - opening the Miami restaurant, running Locanda Verde and The Dutch in New York, publishing a new cookbook, "American Flavor," to name a few. But the stars finally aligned last week, when Carmellini and his Miami crew, including Chef de Cuisine Conor Hanlon and Pastry Chef Joshua Gripper, put together a fantastic-looking menu for thirty guinea pigs.

I say fantastic "looking" because, sadly, I had to miss this one due to work-related travel. But I did stop by before the dinner and Chef Carmellini was gracious enough to give me a tour of the kitchen to see what was in progress. The theme carrying through several of these dishes was "The Whole Damn Thing!" - turbot cooked whole (innards and all, if he stuck with the plan as of around 4pm the afternoon of the dinner), with a sauce made from the bones; a fifty pound pig from Hialeah, prepared about a half-dozen ways. And though I didn't get to taste any of it, I got a good look at what I missed out on from the folks who were there.

It's the first Cobaya dinner I've missed, and it sure looks like a great one. It's also my first time trying to recap a meal I didn't eat.

Here's Chef Carmellini providing a greeting to the diners, the menu, and below, pictures from some of the folks who were at the dinner. (Video courtesy of Ethan Shapiro, pictures via Chowfather, Allison Riley a/k/a Y'All Taste This, and Andrew Carmellini). My usual descriptive flourishes will be missing - wish I could tell you about it..


Lemon Arrancini, Caviar, Creme Fraiche
Watermelon, Cobia, Spicy Yuzu
Bulgogi Tartare, Jae's Kimchi, Lettuce
Duck Foie Gras Meatball, Celery, Cherry Mustard

Bluepoint Oyster, Cucumber Shiso Granite
Lake Meadow Egg, Smoked Sable, Trout Roe
Gnocchi di Patate Primavera con Funghi e Piselli
Turbot Cuit Entier Sur L'Os Aux Saveurs Marocaine
Whole Hog Cooked in a Variety of Ways with Condiments

Crispy Testa with Gribiche
Smoked Ribs Glazed in Cider
Pastrami-Brined Belly
Alsatian-Style Shoulder with Mustard
Brown Sugar-Cured Hams
Crispy Pig Ears, Swank Farms Arugula, Meyer Lemon
Natural Jus

Conor's Pickle Pots
Pickled Bread & Butter, Michael Borek's Farm Field Tomatoes
Pickled Ramp Relish
Grilled Georgia Peaches
Mom's Collards
Weinkraut MSG Style
Mustards

Rainier Cherry Consommé, Manhattan Granita

Croque en Bouche Royal

Ice Creams, Sorbets, Sauces, Cookies, Candies, Chocolates

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