Monday, January 7, 2013

The Tyranny of Choice

Poor Corby Kummer. As the food writer for a national magazine, he is stuck with the dreadful fate of being forced to endure meals (presumably on the publisher's dime) that most people will never have the chance to experience, meals which even many who can afford them can not obtain access to. Sometimes they go on for so long! And they serve so many courses! And the waiters - sometimes they don't perfectly cater to his every whim, or they're distant, or kind of awkward! But the worst thing of all is that these chefs - the ones who most people recognize to be at the very pinnacle of their craft - they just don't listen! They don't care if he wants his steak medium-well, or if he wants his sauce on the side, or if he'd rather have the tuna instead of the halibut in that next course. Those ... those tyrants!

That is the underlying theme of his latest piece in Vanity Fair: "Tyranny - It's What's for Dinner."

Is it the #firstworldproblems nature of the gripe that rankles me so? Possibly. After all, I understand that not everybody loves tasting menus. Indeed, it's a point of contention even within my own household.[1] But it somehow sounds so much more entitled and precious coming from someone whose job is to write about food. Even more so than that, it's the willful blindness that stuck in my throat after reading it. Kummer fails to consider any reason for these "totalitarian" tasting menus other than chef ego, and is equally dismissive of any possible pleasure for the diner, only seeing "subjugation to the will of the creative genius ... followed, eventually, by stultified stupefaction."

But is Mr. Kummer on to something? Is there really a nefarious and growing trend of tyrannical chefs forcing terrified diners to submit to unwanted, 40-course dinners, like some sort of human gavage? Let's examine the evidence.

(continued ...)

Friday, January 4, 2013

Best Dishes of 2012 (Part 3)

We're coming in for a landing here: Part 1 and Part 2 of my Best Dishes of 2012 were posted earlier this week. This post wraps up the rest of the year, including a trek to Charleston that just squeezed in under the wire, and made for some of the best meals I've had all year.

These retrospectives are always something of a learning experience for me, an opportunity to reflect on what I really enjoyed and why. But I'll save my deeper thoughts on a year in food for another post, and stick with the food porn here. Again, these are listed chronologically, with links to the restaurants and my posts on each of them, as well as excerpts from my comments on the dish.

(You can see all the pictures at once in this Best Dishes of 2012 flickr set)

Bagel with Lox and Whitefish Salad - Josh's Deli (Surfside) (my thoughts on Josh's Deli)


His cured salmon, sliced to order, is beautifully silky, achieving that uneasy feat of tasting like fish without being fishy. We brought home some of each variety to break the fast on Yom Kippur, and while family members all had strong opinions on which they preferred and there was no consensus, everyone had a favorite (for me it’s definitely the pastrami-cured salmon). His whitefish salad, which I initially quibbled with as too chunky, has grown on me, with just enough chopped onion, celery and hard-boiled egg to provide some contrast to the flaky smoked fish without overwhelming it.

Roasted Cauliflower Gelato - Brad Kilgore Dinner at Azul (Miami) (my thoughts on Brad's dinner)


The primary notes of the first dish - cauliflower and caviar - were a riff on the French Laundry's cauliflower panna cotta with beluga caviar. Kilgore's version started with a puddle of a cold, creamy cauliflower and white chocolate "vichysoisse" Next to that was a generous mound of really fine royal osetra caviar, topped with a quenelle of a darkly caramelized roasted cauliflower gelato, mounted with a few crisped florets to reinforce the notion. This was rich upon rich, but it still found its balance. I loved it.

Anatomy of a Suckling Pig - Brad Kilgore Dinner at Azul (Miami) (my thoughts on Brad's dinner)


There were rounds of sticky, intensely porcine tete de cochon, studded with pistachios and topped with crispy pig ear chicharrones. There was a gorgeous, juicy crown roast rubbed with butter and herbs. There were macarons with delicate pistachio cookies sandwiching a whipped bacon filling. There was the pig's liver, soaked in milk before being poached sous vide, tender and surprisingly mild. There was a fine boudin blanc style sausage, finely ground with apples and nuts and stuffed into the intestine. There was a Mediterranean style roulade of one leg, basted in goat feta and layered napoleon-style between lavash. There were rillettes of the other leg, supplemented with wagyu beef fat and rolled in sheets of daikon radish. There were trotters, all wobbly with gelatin and fat, and stuffed with mushroom duxelles. There were at least three different pork jus based sauces in copper sauciers - butterscotch, truffled, foie gras infused.

It was a truly astonishing display, worthy of "La Grande Bouffe." And not just a visual feast by any means: though the macarons and the tete de cochon were really exceptional standouts, each of the components was delicious.

(continued ...)

Wednesday, January 2, 2013

Best Dishes of 2012 (Part 2)

Yesterday I kicked off a rundown of my Best Dishes of 2012 (Part 1), a list of 45 of my favorite things to have eaten this past year. We'll pick up where we left off, with dishes listed chronologically, along with a link to the restaurant and my posts on each of them, as well as excerpts from my earlier comments on the dish.

(You can see all the pictures at once in this Best Dishes of 2012 flickr set)

Rabbit Bulgogi - neMesis Urban Bistro (Downtown Miami) (my thoughts on neMesis Cobaya "Dunch")


If there was a standout dish of the meal, it was this: a crispy jasmine rice cake, topped with shredded rabbit "bulgogi," a poached Lake Meadows Naturals Farm duck egg, and frizzled crispy chives, sauced with an orange and five-spice hollandaise. It was an inspired - and delicious - take on the classic eggs benedict, triggered in large part by the surprise availability of rabbits from a farm in upstate Florida. Everything about this worked, and I heard from multiple guests that it ought to become a regular menu feature.

Corn Ravioli - Bourbon Steak (Aventura) (my thoughts on Bourbon Steak)


(This was an appetizer from Bourbon Steak's Miami Spice menu, which was simply one of the most ridiculous dining values you could find in Miami next to the Joe's Stone Crab $5.95 fried chicken. Tender pasta dough was wrapped around a creamy corn purée, topped with plump chanterelle mushrooms, corn powder and butter powder, all drizzled with a browned butter. So many places skimp on their Spice menus; Bourbon's actually gives me a reason to look forward to next summer.)

Papas a la Huancaina - The Bazaar (South Beach) (my thoughts on Bazaar)


Traditionally, this is a simple salad of cold potatoes draped in a creamy, cheesy sauce spiked with aji amarillo peppers. Bazaar's take makes the sauce - here done all foamy and light - the primary component, studs it with vibrantly hued purple Peruvian potatoes, and then adds a unique touch: several fat tongues of sea urchin. This once again violates my personal uni rule, but shows why rules are made to be broken. The rich, creamy uni makes a fantastic pair with the delicately spicy huancaina sauce, complemented by the earthy potatoes for a little substance. This was a great dish.

Black Rossejat - The Bazaar (South Beach) (my thoughts on Bazaar)


But perhaps the single best thing I've eaten at Bazaar is the "Black Rossejat" ($16). Rossejat, a/k/a fideua a/k/a fideos, is a pasta dish prepared in the manner of a paella. The thin, angel-hair like noodles are first toasted in warm olive oil, then simmered in flavorful stock. Bazaar also infuses them with dark, faintly marine-flavored squid ink, and then tops the noodles - tender, but with a hint of crispness at the bottom of the pan - with tender shrimp and dollops of rich aioli. It is an outstanding dish and, relatively speaking anyway, a fantastic value on this menu.

(continued ...)

Tuesday, January 1, 2013

Best Dishes of 2012 (Part 1)

I had a couple of my best meals of 2011 during the last week of the year. Unfortunately, I'd posted my "Best Dishes of 2011" recap a week earlier, so none of them made the list. This year I also saved some of the best for last - but I've learned my lesson, and waited for the calendar to roll over before closing the bidding for 2012. And since they got left out last year, the last week of 2011 will be included this time instead.

My "Best Bites of 2010" list included fourteen dishes (even though I called it a Top 10 list). By the next year, the list had expanded to twenty. When I looked back on 2012, I came up with nearly fifty dishes that could be on the list. With a travel itinerary for the past year that included San Francisco, Hawaii, Las Vegas and Charleston,[1] plus many Miami chefs and restaurants stepping up their games, I'm not surprised the list was so long.

Since I've got no editor here, my own use of the red pencil has been minimal: I've "pared" the list for 2012 down to 45, which I'll present here in three posts. These are not ranked, but instead are listed chronologically. I've included links to the restaurants as well as links to my posts on them, together with excerpts of my earlier comments on each.

(You can see all the pictures at once in this Best Dishes of 2012 flickr set)

Here's Part 1:

Chicken Oysters - é by José Andrés (Las Vegas) (my thoughts on é)


One of the joys of cooking a chicken is getting to pick at the best parts. The trilogy of "chef's treats" for me is the liver, the extra skin, and the chicken oysters tucked away along the backbone. This dish got two of the three: a sheet of crispy, well-seasoned chicken skin, with chicken oysters cooked in escabache, topped with a thyme "air." Just a magnificently delicious bite, one of my favorites of the meal.

Chickpea Stewé by José Andrés (Las Vegas) (my thoughts on é)


[A] Chickpea Stew ... was another of my favorites of the night, and again, a dish that relied on no fancy ingredients. The tender "chickpeas" (actually puréed and spherified) floated on a silky, rich jamón ibérico broth (OK, maybe a little fancy), dotted with chorizo oil, parsley oil and olive oil. It was, at heart, a variation on the centuries-old "olla podrida" or "rotten pot," referenced as far back as Don Quixote. It was also a soulfully delicious dish, with a depth and resonance of flavor that belied the delicate presentation.

Kobe Beef Tendon RobataAburiya Raku (Las Vegas) (my thoughts on Raku)


One of my favorite single bites anywhere: Kobe beef tendon robata. Gelatinous, sticky, crispy on the edges, intensely meaty and rich. Great stuff.

MGF&D Bacon Pizza - Harry's Pizzeria (Miami Design District) (my thoughts on Harry's)


Purists who insist that pizza is simply about the perfect balance of dough, cheese and tomato will scoff, but the pizzas at Harry's are mostly about the toppings. That's not necessarily a bad thing, certainly not when you're talking about the MGF&D Bacon Pizza, topped with Michael's house-cured bacon, sliced fingerling potatoes, caramelized onions, gruyere cheese and fresh arugula. It's a perfectly balanced combination in its own way.

Heirloom Tomatoes - Eating House (Coral Gables) (my thoughts on Eating House)


The influences are as much Slow Food as Ideas in Food - lots of local ingredients, lots of creative preparations. A perfect example: local Homestead tomatoes. But instead of a typical salad, Rapicavaoli takes them to Thailand, with lime, ginger, fish sauce, peanuts, fresh herbs, nasturtium flowers, and frozen coconut milk. It's a perfect rendition of the flavors of Thailand in an unexpected format, the frozen coconut milk in particular lending an intriguing icy creaminess to the composition.

(continued ...)

Saturday, December 29, 2012

Cobaya Gets Cruxed


At some point fairly late Monday evening, after the last course had been served, somebody asked me how this all came about. I looked at the chef. He looked at me. I shrugged. The truth is, we no longer had any clear recollection how, exactly, we'd gotten to this point.

The chef was Brandon Baltzley, former sludge metal drummer and Chicago cooking wunderkind, mastermind of the Crux itinerant pop-up restaurant / culinary collective, author, and soon-to-be chef and farmer at TMIP, somewhere in the country an hour or so out of Chicago. We were decompressing in the Broken Shaker bar in the Freehand Miami (f/k/a the Indian Creek Hotel), which had just played gracious host to Brandon's nine-plus course dinner for forty Cobaya guinea pigs. It was a dinner that he'd really only started prepping some time around midnight the night before. The fact that it came together at all was still something of a surprise to me. The fact that it turned out so well was nothing short of remarkable.

It was always going to be a bit tricky. Brandon was planning to come in to Miami early Sunday morning, have a sous chef from Chicago join him down here, and shop and prep all day Sunday and Monday with help from Chef Jeremiah Bullfrog at the Freehand. Then the sous chef went AWOL and Brandon missed his flight (TSA taking particular interest in a duffel bag full of vacuum-sealed offal and little baggies of white powders - "They're just hydrocolloids!"), and as of mid-day Sunday it looked like there wasn't going to be any dinner at all.

But we would not be so easily sidetracked. After some quick reshuffling, Brandon was on another (non-direct) flight from Pittsburgh (his temporary home base), his mom was on a Greyhound bus down from Jacksonville to come help, Jeremiah had a trip to the seafood market to make, and I had a grocery list to feed a crowd of forty so there would be something to cook when Brandon finally arrived. Jeremiah and Steve Santana busted ass the next day to help with the prep, and Brandon's backup kitchen reinforcements arrived Monday afternoon.

Some people thrive on chaos and stress. And by Monday morning, Brandon had gone from thinking we needed to reschedule, then thinking he wouldn't be able to execute the menu he'd planned, to actually adding on a couple extra snacks on top of it (and supplementing my grocery shopping duties as a result). Somehow, it all happened.[1]


With the benefit of hindsight and sobriety, I now have a better idea of how this thing came about. I'd actually been following Baltzley for some time: his most recent project, Crux, a sort of itinerant restaurant pop-up / co-op, seemed very much in the same spirit of what we're trying to do with Cobaya. Plus, he's got a pretty intriguing backstory, interesting enough to have scored himself a book deal (which clearly gets bonus points for having a blurb that manages to mention Paula Deen and Grant Achatz in the same sentence).

So I sent him a message: "You want to come down to Miami in December and do a dinner?" The response came quickly: "I am definitely game." I reached out to Chef Jeremiah, now the in-house chef at the Freehand, and a long-time Cobaya facilitator, and we were able to line up a kitchen and a dining space at the Broken Shaker, with the Bar Lab boys Elad Zvi and Gabe Orta contributing some cocktail pairings to go along with the dinner.


After 36 frantic hours, here was the end result.

(You can see all my pictures in this "Cobaya Gets Cruxed" flickr set.)

(continued ...)

Thursday, December 13, 2012

A Dinner with Chef Brad Kilgore


It's not often that my photos draw much attention beyond a small group of food-obsessed Miami locals. But when I posted pictures from a dinner that chef Brad Kilgore put together a few months ago, discerning folks around the country took notice. I think Brandon Baltzley, the chef behind the nomadic Crux "micro-restaurant" traveling roadshow, summed it up when he tweeted: "Who the fuck is @brad_kilgore and why is no one following him?"

In direct answer to that question: Brad Kilgore is a local chef who until recently was working at Azul restaurant on Brickell Key. He was a sous chef under Joel Huff when Azul did our Cobaya dinner last year, and along with chef de cuisine Jacob Anaya, took on added responsibilities when Huff left a couple months later. Before coming to Miami for Azul, Brad had been working in Chicago, including stints at Alinea, L2O, and Boka, then became Executive Sous Chef at Epic. For his complete backstory, read here.

But you can't just walk in and order a dinner like this at Azul, for at least two reasons: (1) we had assembled a small group for a "let me cook for you" kind of night, so what you see here isn't on the regular menu; and (2) Kilgore is no longer at Azul. So why am I posting this now?

Well, the good news is that Brad left Azul in order to partner up with Jeremy and Paola Goldberg of Route 9 in Coral Gables and the recently opened Exit 1 on Key Biscayne. Brad has been putting his menu into place at Exit 1, and while that stunning whole pig you see here isn't on it, there should be plenty of other opportunities to taste Brad's handiwork. For just one, he's doing a dinner with Cigar City Brewery next week on Tuesday, December 18.

So consider the meal described here something of a prototype.

Our dinner started with an amuse bouche modeled after one of my favorite unlikely combinations: vitello tonnato. Brad's version substituted a melting puddle of braised veal breast, topped with a frothy emulsion of egg yolk, tuna and lemon, all dolloped with warm goat butter. This rich bite was a preview of the indulgence to come.


And it came quickly. The primary notes of the first dish - cauliflower and caviar - were a riff on the French Laundry's cauliflower panna cotta with beluga caviar.[1] Kilgore's version started with a puddle of a cold, creamy cauliflower and white chocolate "vichysoisse"[2] Next to that was a generous mound of really fine royal osetra caviar, topped with a quenelle of a darkly caramelized roasted cauliflower gelato, mounted with a few crisped florets to reinforce the notion. This was rich upon rich, but it still found its balance. I loved it.

(continued ...)

Friday, December 7, 2012

Cobaya Hinckley at the Hoxton

Unless you're a pretty hardcore genealogist of Miami's culinary family trees, you probably don't recognize the name Matt Hinckley. But if you've been a regular at Michael's Genuine for a while, you would know Matt on sight: for a couple years he was a regular fixture there, working the wood-burning oven as sous chef, then moved over to help open Harry's Pizzeria.

Hinckley is now the head chef at The Hoxton, which is the first of what are slated to be three related venues in the Axis building in Brickell. While the recently opened Hoxton puts together a beach house feel and New England seafood hut menu with a bar and occasional live music, next in line is Box Park, which will be a more food-centric farm-to-table venture. When we asked Hinckley to do a Cobaya dinner with us, the menu he created embodied a few themes which I anticipate will also be a focus of Box Park: whole animal utilization; local products; and "alternative" proteins - alligator, rabbit and duck were well represented at our dinner, along with the omnipresent pig.

(You can see all my pictures in this Cobaya Hinckley flickr set).


Each of those themes was emphasized from the very start of our dinner with a series of  passed appetizers served to our group in the Hoxton's upstairs loft area.  Fried alligator was served with a subtly spicy salsa negra; Chef Hinckley assured everyone it "tastes just like dinosaur." A silky, rich duck egg quiche was made even heartier with a lacing of 26-month aged Beemster XO cheese and then topped for good measure with duck confit that had been cured for 45 days. Perhaps best of all were toasts topped with a shmear of a creamy rabbit liver mousse, a dab of tangerine jam and a sprinkle of fresh tarragon: this was exceptional, one of the most memorable bites of the evening.

(continued ...)