Sunday, June 2, 2013

Turns of Phrase - June 2, 2013

Another small measure of appreciation for the work of that increasingly rare creature: the gainfully employed, artfully perceptive food critic:
"The art of the possible is on display."
- Phil Vettel on Next (Vegan) in Chicago Tribune
"But when you pull your car into the parking lot of Lucy’s 24-hour laundromat/wateria, and you make your way up to the truck, you will find that the woman behind the counter is slightly unclear on the concept of tlayudas, but rather firm on the unavailability of carnitas, which sold out almost before it turned dark. You can leave, or you can settle for tacos made with trompas, which is to say a kind of carnitas made with the pig’s snout. You take a step back toward your car. But then you notice that the tacos are made not just with fresh tortillas but with tortillas made to order from little balls of fresh masa, and that the red-chile salsa seems to be hot enough to flush the neck of the tattooed dude who was a couple of places ahead of you in line."
- Jonathan Gold on La Tehuana in L.A. Times
"At first this prim choreography seems tongue-in-cheek, then earnest, and finally almost silly — and all the more charming for it, like much of the orchestrated seduction that is a night at Maison Premiere."
- Ligaya Mishan on Maison Premiere in New York Times
"The food is impressionistic, best appreciated as a series of lovely, fleeting moments rather than the sustained arc that typically constitutes a meal."
- Ligaya Mishan again

(continued ...)

Friday, May 31, 2013

Tongue & Crux - Chefs Brandon Baltzley, Jamie DeRosa and Jeremiah Bullfrog

The last time Brandon Baltzley - chef, authorfarmer - came to town, it was a bit like Planes, Trains and Automobiles meets Supermarket Sweep. As Brandon had one travel mishap after another, I was racing through the grocery store filling carts from the shopping list he texted me so that there would be something to cook when he finally arrived for our Cobaya dinner. But as I said then, Brandon seems to thrive amid chaos, and it all turned out just fine.


This more recent Miami journey was not without its adventures, but Brandon got into town - a couple days early, even - and I didn't even have to do any shopping. The purpose of this visit was to collaborate on a brunch with the gastroPod's Jeremiah Bullfrog (which I sadly missed), and a dinner at the recently opened Tongue & Cheek in South Beach with T&C's chef, Jamie DeRosa, and Jeremiah. After several days of exchanging ingredient lists and dish ideas, here is what they came up with:

(You can see all my pictures in the Crux @ Tongue & Cheek flickr set)


And here is how it came out:


As an amuse bouche to start things off, a delicate composition of beets (in both lightly pickled and powdered forms), slivered radishes, dots of pea purée, wasabi peanuts, and a thin, airy, crispy sheet of toast. I was mystified by a flavor I could taste but couldn't find anywhere on the plate - something light, bright and intensely aromatic. After the dinner, Brad Kilgore (who was helping out in the kitchen, and who you can currently find doing a Tuesday night BBQ pop-up at Josh's Deli) gave away the secret: T&C pastry chef Ricardo Torres gave the plates a haze of orange oil from a squeezed peel (like a twist for a cocktail) right before service. It was a great touch.


I did not detect the carbonation in these "chilled, carbonated" oysters, but they were still very good regardless - plump and sweet, lacquered with a well-balanced chardonnay mignonette and topped with nasturtium petals, with some sea beans (a/k/a salicornia) alongside. Even Mrs. F, who is usually not much of an oyster fan, was a fan of these.

(continued ...)

Sunday, May 26, 2013

Turns of Phrase - May 26, 2013

Following up on something I started doing last week - some of my favorite passages from the past week's food writing:
"But some tricks, like the disappearance of a marble up someone's nose, can be more curious than delightful."
- Tejal Rao (recently resigned food critic at the Village Voice, following in the wake of Robert Seitsema who was let go last week), on the culinary sleight of hand at Alder.
"Just as you’re pondering how to say “opportunist” in Italian, the food arrives, and it’s great."
- Jeff Ruby on Café Spiaggia in Chicago Magazine.
"It isn’t pretty, this murky brown salad. Take a look at those splinters of green papaya, gnarly rings of fried shallots and clots of air-dried beef. It could be a box of matches spilled in dishwater—certainly too homely for the pages of any respectable food magazine. But we’re evolved eaters here in New York City, too sophisticated to deny ugly things their fair shake. Taste it and understand the moral of a thousand children’s parables about inner beauty: This funky, crunchy bombshell of compulsive flavor might be the most interesting salad in Kings County."
- Jordana Rothman on Nightingale 9 in Time Out New York
"The waiter bends low, in his burgundy tuxedo. “Let’s talk about the process,” he says. He refers to the fruits of the kitchen as though they are his. (“All my veal tonight.”) The delays he does not own: “We are working on the drinks.”"
- Nick Paumgarten on Carbone in the New Yorker

(continued ...)