Monday, June 22, 2009

In the Test Kitchen at Paradigm (Part I) - Sunny Isles

paradigm menu

This is the first of a multi-part series of posts. Click here for Part II and for Lessons Learned in the Test Kitchen.

“Paradigm – the Test Kitchen” is a once-a-week “restaurant within a restaurant” in Neomi’s Grill at the Trump International Beach Resort in Sunny Isles, featuring multi-course tasting menus that explore some of the more contemporary concepts and techniques being batted about the culinary universe these days. I’ve been wanting to write about “Paradigm” since I started this blog, but had been lacking new material. I have been to a couple of these dinners already (as well as a pre-Paradigm birthday party dinner, which in retrospect turned out to be something of a dry run for the Paradigm format), but those were several months ago and I’d already given extensive recaps of them elsewhere.

Paradigm is an “interactive” dining experience – the chefs come out to explain several of the dishes, many involve tableside final prep (smoking guns, espuma garnishes, consommé poured at the table), and some even involve diner participation like the nuoc mom “noodles” extruded from a squirt bottle into a warm broth that we had at one dinner (modeled after Wylie Dufresne’s “instant noodles” at wd~50). As an amateur cook and curious diner, I’m always interested in seeing and learning how the food actually gets to the plate. Give me a choice between a seat at a bustling kitchen bar where you’re at risk of being jostled by waiters picking up orders at the pass, or a plush banquette with white tablecloths, and I’ll take the kitchen bar every time. I like to see, and smell, and hear, the transformation from raw ingredients to finished dish; I also just enjoy watching the rough ballet of a well-coordinated kitchen.

Neomi's Chef de Cuisine Chad Galiano and I tend to have the same online reading lists, and when Grant Achatz started a discussion about open kitchens and interactive dining, it prompted some thinking. The Achatz column, and a follow up, traced the evolution and implementation of a new idea at Alinea, where a big silicon “plate” is unfurled over the entire table and the chefs come out of the kitchen to do the final assembly of a dish on the gigantic “plate.” My initial reaction to the Achatz piece was that it was interesting, but more akin to the traditional tableside service than it was to a genuine open kitchen (though seeing the pictures piqued my curiosity further). While it sounds like fun, I’m not sure that it’s what some diners – myself at least – seek in the “open kitchen” experience. It may not be true of everyone – and it may defuse some of the “mystery” of the textural and other transformations that are among the hallmarks of much contemporary cooking – but some of us actually want to see the whole process, and see the kitchen actually at work instead of putting on a show.

We traded some emails, which led to the following proposal from Executive Chef Kurtis Jantz and Chef Chad: come in for a Paradigm dinner, but there would be no seat at the table for me. Instead, I would join them in the kitchen, watch (and possibly “help”) as dishes were being prepared, and they’d make an extra plate of each dish for me and I could eat it standing up in the kitchen. As an extra bonus, Chef Christopher Windus of BlueZoo in Orlando would be in as collaborating guest chef. Now this would be an interactive dining experience. Needless to say, this was an offer I accepted eagerly.

After spending 6+ hours in the Neomi’s Grill kitchen for a Paradigm dinner service this past Friday, I have much to tell. First off, let me again express my gratitude to Chefs K, Chad and Chris, as well as the entire staff at Neomi’s, for putting up with me as I got to experience my “chef’s fantasy camp.” Everyone was tremendously friendly and accommodating. I’ve been kicking around how best to share the experience, and eventually arrived at a multi-part approach; a “running diary” a la Bill Simmons’ NBA draft diaries, and then perhaps a list of “lessons learned.”

A complete set of my pictures from the evening can be found here on flickr.

5:30 pm – I get to the restaurant, ask for Chef Chad, and he comes out and brings me around back into the kitchen for a quick tour and introductions. The kitchen is a bit of a maze and I’m thinking I should be leaving a trail of bread crumbs. Chad introduces me to the rest of the folks – Pablo working sauté, Moe working pantry, Kenold working the grill, Marianne working everywhere. Pastry Chef Fabian di Paolo pops in and out. The kitchen is about 15 degrees warmer than the restaurant, and I almost immediately break into a sweat. This is one of my great talents - Mrs. F calls me "alpaca" because I'm a heavy sweater. Howie Kleinberg's got nothing on me.

5:33 pm – a look at tonight’s menu. Eleven courses total (a little more elaborate even than the typical Paradigm dinner). Chefs K, Chad and Chris have been brainstorming on the menu for most of the past week. There are handwritten notes here and there and drawings for what plates will be used for each course. I’ve had these meals before but never really thought about the logistics in any great detail. They are confounding. Eleven courses, each of which has on average about five components, makes for more than 50 moving pieces. Wow.

5:34 pm – Chef K is in his office (I’ve seen bigger broom closets) with one of the assistant chefs, Osnel. Chef K is going on vacation for a few days and is debriefing on everything that will need to happen in his absence.

5:36 pm – Chef Mike (nice to see him back in the kitchen) brings me a chef’s jacket and apron to wear. OK, I’ll admit it. I feel pretty cool wearing a chef’s jacket. I’m like a kid at Wannadoo City. And, yes, I'm a dork.

5:38 pm – Chef Chad is ready to put me to work. At a station he’s set up a squeeze bottle filled with Emmental cheese thinned down with milk to a loose fondue consistency, a couple bowls filled with what looks like water, a tablespoon, and a spoon that looks like a metal Chinese soup spoon but slotted, with holes in the bottom. I’ve got an idea of what’s coming – spherification! One of the bowls has had some sodium alginate (a product derived from seaweed) added, producing a reaction with the calcium in the cheese (a little extra is added) so that when a blob of the cheese goes into the alginate solution it forms a firmer skin or membrane around the outside, but remains liquid in the center. Presto – a liquid-filled cheese orb! And no sharp objects involved.

spherification 1015:39 pm – Chef Chad shows me the technique of squeezing some of the cheese into a tablespoon filled with the alginate solution, then unloading into the bowl, then, after a short time to let the membrane form, scooping it with the slotted spoon into the second water bowl to hold for service. And away we go – I’m spherifying! Actually reverse spherifying, if we want to be precise (“normal” spherification adds the sodium alginate to the flavored liquid, then puts it into a calcium chloride bath; “reverse” spherification has the calcium in the liquid and uses a sodium alginate bath). I announce to noone in particular that I am going to add “molecular gastronomer” to my business card.

5:42 pm – Chef Chad introduces me to Chef Chris Windus from BlueZoo. If Chef Chris weren’t wearing chef’s whites, I would have guessed that he was an NFL linebacker. He’s got a smirk on his face that seems to say, “Who let this joker into the kitchen?” Over the course of the evening, I’m somewhat relieved to see that this may just be an expression of perpetual bemusement. Or maybe I’m letting myself off too easy.

5:54 pm – I’m still spherifying. I can only do a few of these at a time as they seem to want to stick together. And I’m nervous. Whenever I’ve seen spheres, they’ve always looked so perfectly round. Mine? Not so much. Chef Chad comes by and looks at one, kindly says “It looks like a heart.” OK, not really what we’re shooting for but still it’s cute, right? But to me it just looks like it’s got a butt crack. I’m hoping these smooth out some as they soak.

Emmental orbs6:00 pm – I’ve got about 30-some-odd Emmental cheese spheres done now. There’s only 10 diners and only one of these is going on each plate for a particular dish, but I want to give them a high margin for error. Besides, it’s fun.

6:23 pm – Jacob Katel from New Times shows up. His food porn on Short Order often makes me drool. I’m astonished to see the tiny little camera he uses for his work.

6:30 pm – feels like the calm before the storm. Marianne is working on a pistachio brittle for one of the dishes. Marie, who usually works banquet garde manger, comes in and starts helping out. I later find out she's doing this off the clock just to learn. She also gives me the “Who let this joker into the kitchen?” look.

6:36 pm – maybe for some, being an Executive Chef is all just glory, appearances at food festivals and guest judging on Top Chef. If you read Eric Ripert’s “On the Line,” for instance, you don’t get the impression he’s actually stepping behind the line and cooking all that often any more. But there’s Chef K, chopping onions. Maybe he’s just putting on a show for me.

6:42 pm – so much of this meal is planned, and indeed many components are prepared well in advance of service, and yet you always have to be ready to improvise. Chef K is unhappy with how the batter for some onion rings is setting up. It worked fine yesterday, but today it’s just soaking up oil; has me try one – it’s greasy. Going to try adding more flour but may just start from scratch.

anti-griddle6:47 pm – I notice that Chef Chris has been wheeling around the Anti-Griddle (it’s like a griddle but with cold instead of heat, so that you can quickly freeze liquids on its surface) brought down with him from Orlando and plugging it into different outlets. About 30 seconds after he flips the power switch, it makes a sputtering sound. That’s not good.

6:53 pm – Chef Chad brings me one of Chef Chris’ liquid corn ravioli to try – straight out of a buttery sauté pan. It is fantastic. The pasta texture is silky but still has some substance to it, and the corn filling is oozy, salty, sweet and bursting with fresh corn flavor. One bite and I know where I’m eating next time I’m in Orlando.

6:58 pm – Chef Chris is still hauling the Anti-Griddle from outlet to outlet, trying to find one that will make it happy. So far, no such luck.

raza' chowda'7:04 pm – Chef Chad invites me to help with assembly of the first course, the “raza’ chowda.” This dish has all the components of a clam chowder, but they’re going to be assembled in a hollow glass tube; you slurp on one end, and get all the contents in your mouth at once. Diced razor clams, tiny mirepoix dice, and a gelatinized smoked tomato water have already been assembled in the tubes. I think five of us (Chris, Kurtis, Chad, Jacob and myself) crowd into the little walk-in cooler to help set these up, or to take pix. A little “cork” of potato is stamped out for one end of the tube from planks of potato cooked sous-vide at 83C. At the table, the chefs will add a bacon foam to the tube to complete the chowder flavors. I get one to try – the flavors are spot-on and the delivery method is really clever. You first get each component one-by-one, and then as you get all of them, the flavor combination perfectly duplicates a clam chowder.

7:08 pm – Steven, the food and beverage manager, comes into the kitchen to let everyone know the Paradigm guests have started to arrive. Someone who had been to an earlier Paradigm dinner bought out the whole table for tonight. They’re also expecting Malka Espinel, Pastry Chef at Johnny V in Fort Lauderdale, to be paying a visit later tonight.

7:11 pm – Chef Chris breaks out a Level Vodka bottle that is filled with a neon-pink liquid. What is this? Bubble-Yum bubble-gum infused vodka. Pours a sample for us. Lord – keep this away from my children. It tastes just like bubble gum. Unreal. For good measure, we also try a sample of the Wild Turkey American Honey bourbon. Yes, this could be dangerous stuff.

7:16 pm – Chef Chris is still moving his Anti-Griddle from outlet to outlet, but everyone is quickly sizing up Plan B. The Anti-Griddle was going to be used to make a frozen blood orange disk for a “refresh” intermezzo course; Chef K finds a silicon hemispheric mold sheet which he cuts in half and puts in a tray of ice with some kosher salt. The blood orange puree will be scooped into the molds, laid over the ice, and then put into the freezer to set up.

7:21 pm – several things are taken out of the walk-in to come to temperature, including Shropshire blue cheese “cheesecakes” for course II. I get to sample one – fluffy cheesecake texture, vivid blue cheese flavor. This is going to get paired with a riff on buffalo wings. I think it’s going to work.

7:32 pm - Steven advises that the guests have sat down for dinner. The show is on. Meanwhile, the kitchen hums with the constant background sounds of room service and dining room orders going out. While I came for Paradigm, there’s still a hotel to feed.

7:35 pm – the chefs go out to the table to meet-n-greet and do the tableside presentation for the “raza’ chowda’” in a tube.

food party7:37 pm – Chef Chad is starting the plating for the second dish, “food party episode 1”. He explains the inspiration much better than I’ll be able to do. Sounds like Pee-Wee’s Playhouse meets Tim & Eric Awesome Show meets Iron Chef. I think I need to watch this. There is one long table in the very front of the kitchen that is used for all the assembly and plating. Chef Chad starts by making circular patterns of carrot and celery on each of the plates. These are followed by the blue cheese-cake, then a chicken “wing” lollipop (actually thigh meat molded together using Activa a/k/a transglutaminase a/k/a “meat glue”) with a semi-crispy, hot-sauce infused batter, some julienned pickled carrots over the cheesecake, and finally, a hot sauce froth.

7:45 pm – servers return from the table after the tubular chowder experience. Some of the diners are a little squeamish about it, but after trying, they all seem to enjoy it.

7:57 pm – “food party episode 1” goes out the door to the table. I sample one in the kitchen. In prior experiences I’ve been underwhelmed by dishes using “meat glue,” but this chicken lollipop sells me on its virtues. The shredded thigh meat has the intense flavor of dark meat, is incredibly juicy, and has not been so pulverized as to be unrecognizable as chicken. I’d initially thought the hot sauce flavor was coming just from the sauce, but it’s in the batter too. The rest of the flavors are spot on. I especially like the vividness of the carrot and celery drizzles on the plate. They may look pretty, but they're not just decoration.

food party

8:03 pm – Chef Chris drops back to the sauté line to warm his liquid corn ravioli.

corn ravioli8:10 pm – plating starts for course III, liquid corn ravioli over a bed of corn and spaghetti squash, with a thin, square sheet of Laughing Bird shrimp (another Activa trick). I’m invited to help with plating the shrimp sheets. They’re each already individually portioned between squares of wax paper, and just require a little flip onto the plate. Most of mine comply with only minor mangling. Fortunately, Marie notices that the squares are each also covered with a transparent sheet of acetate, and we remove it before service.

8:14 pm – ravioli are out the door. I try the fully composed dish. The ravioli is just as delicious as the one I sampled earlier (though it was more fun to pop a whole one in my mouth straight from the pan); the corn and spaghetti squash hash it’s served over adds another nice sweet vegetable component. The Laughing Bird shrimp used for the sheet, with a little bit of chive in the mix, are absolutely delicious; I’m torn as to whether the presentation and textural transformation really add anything, but polish off the dish before I can decide.

corn ravioli

8:18 pm – course IV, “hogs headless cheese” sandwiches, are getting assembled. A clamshell-shaped steamed brioche bun (similar to the ones traditionally served with Peking duck) is topped with a slice of “hogs headless cheese” – so-called because it’s a pork “head cheese” made with trotters and shoulder but no head – then paired with a rhubarb sriracha (made in house, with a nice acidic tang from the rhubarb but needing of more heat, in my opinion, if it is to call itself a sriracha sauce), julienned pickled green peaches, and a garlic scape mayo.

headless cheese8:25 pm – headless cheese sandwiches go out to the table and I get to sample one. The components are mostly Southern, and yet the flavor composition reflects a distinctly Asian profile. In fact, this is clearly a banh mi with a Southern accent. The head cheese might have been a little too bland on its own and each of the other components a little too assertive, but together – fantastic. They've made an extra of each dish for Jason from New Times too. I've got a sense he's never seen food like this before, but in addition to being a good photographer, the guy's a good sport and a good eater too. He puts away everything with glee.

refresh8:42 pm – each Paradigm menu I’ve seen has a “refresh” course in the middle – a variation on the old-school tradition of an “intermezzo,” often a sorbet, to serve as a “palate cleanser.” This time around, they go old-school with the sorbet, but new school with the flavors. Deborah, Fabian's assistant pastry chef, makes an appearance. A small bamboo serving dish gets a bit of kumquat marmalade, and little globes of the blood orange sorbet (the Plan B as a result of the non-functioning anti-griddle) and a piquillo pepper sorbet studded with black caraway seeds. These go out to the table with a pair of little chopsticks. With the extra one made for me in the kitchen, I opt to just pick up the little dish and do the whole thing like a shot. I think this is the way to go. The flavors play off each other beautifully, doing a great balancing act between savory and sweet.

Coming up next ... six more courses - and do my Emmental orbs pass the test?

Neomi's
Trump International Beach Resort
18001 Collins Avenue
Sunny Isles Beach, FL
305.692.5604

Neomi's Grill on Urbanspoon


Friday, June 19, 2009

Someone's in the Kitchen ...

I have written previously elsewhere about some fascinating meals I've had from Chefs Kurtis Jantz and Chad Galiano and their "Paradigm - The Test Kitchen" weekly dinners - some of the most adventurous and cutting-edge cooking that you can find in Miami. Prompted in part by some recent discussion about "interactive dinners" and the relationship between kitchen and dining room, they agreed this week to a very different approach - they're letting me into the kitchen to "help"[*] with tonight's Paradigm dinner. It should be an interesting and crowded kitchen, with Chris Windus from BlueZoo in Orlando also in as a collaborating guest chef.

Their food and beverage manager was smart enough to insist that I provide a waiver and release of liability before setting foot in the restaurant kitchen. Here is the one I suggested:

WAIVER AND RELEASE OF LIABILITY

I fully understand and acknowledge that:

1. Kitchens involve sharp, pointy, hot, heavy, and/or greasy objects which may have inherent dangers, risks and hazards. If any fingers or other appendages are severed or otherwise damaged in the course of the evening, I will suck it up and deal.

2. Contemporary kitchens often use a variety of products and devices that some people consider unnatural, intimidating, foreign and even dangerous. I agree not to snort or otherwise ingest copious quantities of Activa transglutaminase, not to use the “smoking gun” for anything other than culinary purposes, and not to stick my tongue to the anti-griddle.

3. Kitchen staff often have a, let’s say, unique sense of humor which often involves practical jokes. I hereby assume the risk of: the “hot plate”; duck fat "ice cream"; "mayonnaise creme brulee"; drinks laced with mussels, worcestershire sauce, fish sauce, or Tabasco; and pockets surreptitiously stuffed with raw shrimp or liquid nitrogen (damn "molecular gastronomists"!), or even a whole salad.

4. I may be directed to "chop flour" or get "chicken lips", a "bucket of steam", a "left handed chicken stretcher", "cans of elbow grease", a "parsley curler," a "Kuemmelspaltmaschine,"
a "tomato ripener" or a "grape peeler". I will try not to be too gullible.

5. Some chefs are raging egomaniacs prone to yelling and throwing things or attempted infliction of psychic damage - apparently, especially if their name rhymes with Shmarlie Frotter. I agree that if subjected to such treatment, I will pay them back later when I retell the story to a national audience.

I hereby release Paradigm, and each of its present and former owners, principals, members, agents and employees from any and all liability for damage, losses or personal injury to myself resulting from my participation in such activities.



[*]Mrs. F reminds me that while it's nice of Chefs K and Chad to humor me, I should not begin to delude myself that my rudimentary kitchen skills will be in any way useful.




Monday, June 15, 2009

Does Transglutaminase Work on Shark Meat?

shark I do believe the phrase "molecular gastronomy" has officially jumped the shark. In what has to be one of the goofiest little bits of prose I've ever read, The Feedbag brings us this gem: Mystery Behind Meat Glue Revealed. The 150-word thriller explaining how "molecular gastronomers" use transglutaminase, a/k/a "meat glue," is cribbed pretty much directly from this equally goofy piece, "What is Meat Glue?", from the Tampa Bay Examiner's resident "Molecular Gastronomy Examiner."[*] The Feedbag piece even duplicates the misspelling of transglutaminase as "triglutaminase" as well as the ungrammatical explanation that it "[is] an enzymes [sic] that catalyzes covalent bonds between free amine groups and gamma-caroxminid [sic] groups of protein or peptide bond [sic] gluatamine [sic]." That super-scientific explanation - minus the misspellings - is lifted directly from (drum roll please) Wikipedia. The Examiner article also references a "trilutaminase" for variety, while Feedbag mixes it up by throwing in the obligatory "Frankensteinish ingredients" comment.

[Sigh.] I don't even know where to start, so I won't. I do enjoy reading Feedbag, but their coverage of "molecular gastronomy" certainly leaves something to be desired. On the other hand, it's probably helpful that we've reached the point that 90% of the time, you can safely assume that someone using the phrase "molecular gastronomy" has no idea what they're talking about.


[*]"Examiners" are freelance, apparently unedited, writers for the paper's website.



Sunday, June 14, 2009

Chef Allen's - North Miami Beach

Chef Allen's[sorry, this restaurant has closed]

Allen Susser was one of the original pioneers of what has been variously called the "Mango Gang" or "Floribbean" or "New Florida" cuisine back in the late 1980's, along with such illustrious names as Norman Van Aken, Douglas Rodriguez, Mark Militello and Jonathan Eismann. While each of his compadres has had restaurants come and go over the years, Chef Susser is now running on a 23-year stretch at his original location in North Miami Beach (n/k/a Aventura), Chef Allen's - a truly remarkable feat given the failure rate of most restaurants.

It had probably been close to a decade since I'd last been to Chef Allen's, and I'll confess that I didn't miss it that much. What had seemed creative 20 years ago instead just seemed old-hat and uninspired on my last couple visits. The restaurant, its menu, and its clientele all seemed somewhat dusty and dated. A rather formal atmosphere seemed stilted and out-of-place. Perhaps hearing the refrain of "What a drag it is getting old," about a year ago Chef Susser gave Chef Allen's a major makeover. The dining room was updated and made both more contemporary and more casual, and the menu was given a major tweak to become a "Modern Seafood Bistro." I figured it was time for a repeat visit.

Chef Susser has not abandoned the mango entirely. Indeed, with South Florida in the middle of mango season, they could be found literally everywhere: each table in the restaurant had as its centerpiece a fresh mango. And, among many clever marketing gimmicks, Chef Susser offers a free dinner for two to anyone who brings in a wheelbarrow full of mangos to the restaurant. Given what a prolific season we're having, I suspect that there have been several folks who have taken advantage of that offer.

But the menu is not as reliant on the tropical fruits that were one of the calling cards of the original "Mango Gang." Picking up on a few prevalent local trends, Chef Allen's now offers an extended selection of smaller dishes, some of which are "snack"-size and others more customary appetizer portions, with mains focusing on locally sourced sustainable seafood and steaks cooked on a wood-burning grill. For us, the most interesting sounding items all resided in the "starters" section of the menu, so that's where we stayed, ordering six items (ranging in price from $4 to $11) to share plus a vegetable side.

Devils on horseback (bacon-wrapped dates, a/k/a the Official Snack of the Design District) were wrapped with nice meaty bacon, and stuffed with Manchego cheese instead of blue as we've seen elsewhere (much to Mrs. F's satisfaction, as she doesn't like blue cheeses), and also used a fatter, plumper date than we've had in other iterations. Saffron arroncini were a very pleasant surprise, little balls of saffron-inflected risotto given a crispy coating and fried. These were smaller than most arroncini I've had (I'd say tater-tot size) which gave a nice ratio of crispy exterior to creamy rice interior; the accompanying tomato jam I found to be a little too sweet.

Caesar salad was prepared tableside in the traditional manner, a nice nostalgic touch, and a really good caesar salad to boot. The dressing was redolent with garlic, lemon and anchovy all happily competing for attention, and an untraditional addition of toasted sesame seeds contributed nice texture and flavor.[*]

A tuna poke (a traditional Hawaiian dish of cubed raw tuna somewhat similar to a ceviche), marinated with tangerine segments, soy, ginger, and mint, and sprinkled with wasabi-spiked caviar, was something of a disappointment, the cubes of tuna a little chewy, and the flavor of the citrus somewhat overwhelming. This one flop was made up for by the shrimp & grits "brûlée", a delicious dish even if it is completely unlike any lowcountry shrimp 'n' grits. Instead, wild Florida shrimp are paired with some creamy Anson Mills grits, which are supplemented with Manchego cheese, cubes of tomato, bacon lardons, and shallots, piled into a ramekin and then run under the broiler until it's toasty and browned on top. I'd swear there were some unadvertised bits of lobster meat in the mix as well. This was a delicious dish which alone was worth the trip (and definitely worth the $10 price).

<><><><>Shrimp & Grits Brulee
Shrimp & Grits Brulee, photo credit: Jacob Katel


We also liked the Kyoto clam "hot pot," a generous portion for $10 of little, firm, meaty clams, steamed open in a broth of soy, sake, scallions and red peppers, with an unorthodox addition of sweet cooked bananas. Mrs. F liked everything about the dish but the bananas - they didn't offend my sensibilities, I'd even go so far as to say I liked them. If nothing else, I appreciate the boldness of the pairing. A side of a spinach fondue was too heavy on the cream and cheese, and too light on the spinach, to be considered a bona fide "vegetable side." Though it was good, it was perhaps overwhelmingly rich, though that didn't keep me from dunking bread even after all the spinach was gone.

Entrees mostly ranged from $20-30 but were a somewhat limited and - to us, at least - unexciting selection. While fish got an entire page of the menu, including a praise-worthy statement of commitment to sustainable fish and seafood, the offerings included only four fish options (snapper, yellowfin tuna, mahi mahi, and yellowtail), a fried calamari dish, a pasta dish featuring shrimp, and, perhaps most intriguing, a "surf & turf" with grilled shrimp and beef short ribs. The non-fish entrees also play it pretty close to the vest - skirt steak with chimichurri, filet with red wine demi-glace, burger, shortribs, pork chop, chicken paillard.

But that was OK, as our multitude of starters turned out to be plenty of food to make a meal, and is the way we often like to dine. And the price was certainly fair, with the food portion of our bill being under $60. Mrs. F vetoed dessert, which is too bad as I do have fond recollections of Chef Susser's "Kit Kats" dessert. The $25 corkage fee was money well spent, as the 2002 Hudelot-Noellat Chambolle-Musigny Les Charmes I brought was freaking awesome, if I may say so.

Aside from the recent menu overhaul, Chef Allen's does a good job of finding other ways to bring folks in. Throughout the summer they are offering free interactive cooking classes on Fridays from 6pm-7pm (conveniently before dinner time, you'll note), on Father's Day they're offering to let Dad cut his own steak to be grilled on their Lyonnaise wood-burning grill, and every Wednesday is "Wine Down Wednesday" with all bottles on the list offered at half price. You don't stick around for more than twenty years in the restaurant business without learning a few new tricks along the way, and it's reassuring to see that Chef Allen's keeps working on ways to keep things fresh.

Chef Allen's
19088 N.E. 29th Avenue
Aventura, FL 33180
305.935.2900

Chef Allen's on Urbanspoon


[*]OK, Miami restaurant historians: years ago (10+) there was, briefly, a restaurant on Lincoln Road called Lure which had sushi and an odd but good Asian/Mediterranean menu. They made one of the best caesar salads I've ever had, with a tahini-based dressing and tempura-fried anchovies. The only online reference I can find to it is in this article from 1997. Any idea who was behind the place?