Good Food Good Cause

What are you doing this Thursday? Why not this?

Organized by chefs Alex Feher of the Intercontinental Miami and Jan Jorgenson of Two Chefs, and benefitting International Firefighters Assistance in Haiti, this event features fifteen chefs (including folks like Andrea-Curto Randazzo of Talula, Cindy Hutson of Ortanique, Clay Conley of Azul, Johnny Vinczencz of Johnny V, Jonathan Eismann of Pacific Time, Jonathan Wright of the Setai, and Tim Andriola of Timo), for fifty bucks; and it's all for charity.

Eat well and do good at the same time. If you're interested, RSVP to helpforhaiti@taraink.com or 305.864.3434 x311.

Restaurant at the Setai - South Beach

I have long been intrigued by the menu at the Restaurant at the Setai - a curious amalgam of several Far Eastern cuisines - but there was always something keeping me away.

Honestly, it was the prices. Intrigue will only get me so far through the door to try "small plates" that are mostly priced in the mid $20s and main courses that are generally double that or even more. The Restaurant would participate in Miami Spice and occasionally offer other more reasonably priced programs, but I could never get my timing right. So even though the eclectic mix of Asian dishes was alluring, and Executive Chef Jonathan Wright had some solid credentials (Raymond Blanc's Le Manoir aux Quat Saisons in England, Bradley Ogden's Lark Creek Inn in California), I never made my way in.

Intrigue finally got the best of me when I saw that the Setai was offering a "Menu Gourmand," featuring twelve courses from their menu for $120. Somehow, twelve courses for $120 seemed much more reasonable than perhaps three courses for probably about 3/4 of that, and so I paid my first visit to the Setai last week. The "Menu Gourmand" features:

MAGURO AKAMI^[1]

Blue Fin Tuna Skewers, Shiso Ponzu, Asian Pear and Kaffir Lime Salsa

UNI TEMPURA

Sea Urchin, Shiso, Wasabi and Ginger Tempura, Oscetra Caviar, Ginger Yogurt

TORO HAGASHI

Seared Tuna Belly, Warm Salad of Capers, Mushrooms, Olives, Garlic Emulsion

SI CHUAN MANG GUA
Hot and Cold Foie Gras with Mango, Szechuan Pepper, Spiced Bread

SOBA SHIITAKE

Warm Mushroom Salad with Soba Noodes, Truffle Vinaigrette, White Truffle Ice Cream

POT AU FEU

Slow Cooked Duck Egg, Peking Duck, Foie Gras, Sweet Braised Onions, Teriyaki Broth, Bonito

DONG GUA TANG

Clear Ham Broth with Winter Melon, Iberico Ham, Chicken, Crab Meat, Ginger and Straw Mushrooms

SHAN BEI JUN XAI JIAO

Scallop and Black Truffle Har Gao, Truffle Emulsion

LANGOUSTINE

Scottish Langoustines, Orange and Earl Grey Emulsion, Fennel Salad

PORK BELLY

Braised then Crisp Fried Pork Belly, Turnips, Kimchi and Roasted Peanuts

Jivara Ginger and Caramel Crème with Jasmine

Passion Fruit Souffle, Bitter Chocolat Sorbet

Most of these dishes come from the "small plates" section of the main menu, which also features a selection of dim sum, several different fish, shellfish and meats prepared in a variety of Asian styles, as well as noodle and rice dishes, curries and tandoor items. Though the menu credits the cuisines of India, Singapore, Thailand, China and Malaysia as its driving forces, a keen observer will note a clear Japanese influence as well. But this is perhaps better described as a "grab-bag" approach rather than a "fusion" menu - as our waiter noted, the individual dishes tend to be uniquely of one particular culinary style, rather than trying to blend them together.

The restaurant itself is an unusual space, with an open exhibition kitchen and several long wooden tables jutting out at right angles from it, as well as a number of regular tables, some of which look out onto Collins Avenue. There was, however, not a lot of action going on in that exhibition kitchen, with one cook at a sauté station and another at a wok station moving in an unrushed fashion to tend to a quiet dining room. We were started with some crispy rice crackers and some pungent achar-style pickles, along with a silver bowl of toasted peanuts mixed with some small, crispy, salty dried whole fish. An unusual and promising start; but unfortunately, for several of the items that followed, smart and delicious sounding combinations were marred by flaws of technique or seasoning.

Though the "Menu Gourmand" indicates that it is served "Share Style," in fact most of the dishses were composed individual plates like this one: a cube of the lean, red flesh of a bluefin tuna ("akami"), in a puddle of shiso-inflected soy-and-citrus ponzu sauce, topped with a fine dice of Asian pear brightened with Kaffir lime, and crowned with a bit of caviar and a sprig of micro-herbs (shiso?) (apologies, by the way for the terrible quality of the photos, I'm still working on how to get decent pictures in low light). It was a nice, clean taste to start the meal, though the cube was a bit large for one bite and unwieldy to handle in any other way given the plating.

The next course offered some of my favorite things: uni, shiso, ginger, caviar. Though advertised as a "tempura," however, what came out was more of a fried dumpling, the thick casing obscuring the delicate flavor of the sea urchin. It was a shame, because I think the other components could have complemented it well, particularly the ginger-infused yogurt it was resting upon. I will confess I rarely if ever find that cooking improves uni, but if you're going to do so, it deserves more delicate treatment than this. Nobu, for instance, does an uni tempura featuring similar flavors where the uni is wrapped in shiso, then nori, then gets a very light tempura coating before being fried. Though really, even that is unnecessary.

Hagashi toro is supposed to be among the most lush and fatty of tuna cuts, typically, I believe, taken from the top of the tail. Here, a generous portion (one of the only dishes that was actually served share-style)^[2] was seared and plated with a warm salad of shimeji mushrooms, capers and olives, along with a creamy-textured garlic emulsion. Unfortunately the tuna was seared so far as to be predominantly brown rather than pink, and consequently lost most of its unctuous fattiness. As a result, my favorite elements on the plate were the mushrooms and the silky garlic pudding.

The next dish offered a combination of foie gras and mango in hot and cold forms - the hot, with seared foie over a crescent of mango fruit; the cold, a cube of foie gras torchon with a cube of soft mango sandwiched by thin crispy spice bread. The torchon was lovely, the combination with mango a tropical variant on the long-running and effective theme of playing foie against fruit. The seared foie was peculiarly bland. The traditional pairings were played out even further by serving the dish with a shot of Choya umeshu, the sweet and tart Japanese plum wine playing the role customarily played by Sauternes in this composition. What I couldn't detect was the promised szechuan peppercorns, which might have brought a different element to the party.

Calling this a "pot au feu" suggests stronger "fusion" influences than the Restaurant's mission statement lets on to. Within the bowl were a soft-poached duck egg (presumably slow-cooked in an immersion circulator), slivers of roasted duck, cubes of foie gras, enoki and shimeji mushrooms, some chewy grains (barley? farro?) and slow-braised caramelized onions, all in a dark, sweet soy and bonito "teriyaki" broth. There were some great flavors here and I really loved the composition of elements in this dish, but unfortunately they were all overwhelmed and obscured by the overly sweet broth.

CSA Canistel Microwave Cake

Some CSA canistels had been hanging around in my freezer for several weeks now, but I had a plan for them: microwave cakes. This was actually one of the things I hoped to accomplish when I started blogging my CSA shares: to combine fresh-from-the-farm produce with some personal experimentation in contemporary cookery, a small, humble attempt to show that the two are not as antithetical as many people (i.e., those who insist on tags like "science fiction cooking" or use "molecular gastronomy" as an epithet) make them out to be. Well, best laid plans and all ... I've generally been lucky just to get the stuff cooked in the most primitive of fashions, though I've done some good eating along the way.

Anyway, like so many contemporary techniques, the microwave cake's genesis appears to trace back to none other than Ferran Adrià. It uses an iSi whipped cream canister charged with nitrous oxide to aerate the batter (the same tool chefs sometimes use to make those foams so dreaded by some), and is cooked in a single-serve cup in the microwave in 30-40 seconds, making a wonderful light spongey cake. There are a few recipes floating around the intertubes if you search for them, but they vary considerably, so I went to my resident experts - chefs Kurtis Jantz and Chad Galiano - for guidance, who gave me a few recipes and suggestions as starting points.

Not surprisingly, none of the recipes use canistel, so my primary guide was one for a beet cake, figuring pureed beet is about as close as I'd get to canistel. Here's what went into it:^[*]

100g almond flour (a little less than a cup) (couldn't find actual almond flour anywhere, simply ground up some blanched unsalted almonds in the food processor)
200g canistel flesh (about a cup)
250g egg whites (about 6 large whites)
160g egg yolks (8 yolks)
100g sugar (about 1/2 cup)
130g flour (about 1 cup) (recipe called for cake flour, I had none, and used all-purpose; no doubt cake flour would have yielded a lighter final product)

Mix all the ingredients in a blender (I suspect a stand mixer would have worked equally well) until smooth, and strain through a chinois. I had to stir it through vigorously with a wooden spoon for about 10 minutes.

Then you break out the high-tech hardware:

The iSi canister, and - that's right: Dora the Explorer paper cups. Trust me, this is exactly how they do it at El Bulli.

There Will Be Boulud

Rumors have swirled for some time, now it's official. Uber-chef Daniel Boulud will be expanding his restaurant empire to Miami.

Boulud, whose flagship Daniel picked up three Michelin stars in the 2010 edition, will be opening a DB Bistro Moderne in the JW Marriott Marquis supposedly due to open in mid-2010. Boulud already has a toehold in Florida with Café Boulud in the Brazilian Court Hotel in Palm Beach. The DB destined for Miami is being described as a "sister restaurant" to the New York version and presumably will have a similar contemporary bistro format.

Good timing for the formal announcement: Boulud is the honoree at a tribute dinner during South Beach Wine & Food Festival Saturday night.

Oishinbo Style Miso Ramen

Several months ago, through a tweet by Chef Chris Cosentino, I learned of the Oishinbo books. Oishinbo is a Japanese manga series which ran to over 100 volumes in Japan, and which has been republished in several volumes here in the U.S. The comics are loosely structured around the premise that a newspaper has set out to create the "Ultimate Menu" - the best of all Japanese food. The protagonist, Yamaoka Shiro, is a lazy newspaper employee with an exceptionally refined palate who is tasked with the creation of the Ultimate Menu. Yamaoka has major issues with his father, Kaibara Yuzan, a reknowned artist, the founder of the "Gourmet Club," and the architect of the "Supreme Menu" that a rival newspaper has commissioned.

But I digress. Aside from the father-son rivalry plotline and others of equal literary depth, the books contain fascinating, well-researched, and often extremely detailed insights into all sorts of aspects of Japanese cuisine, and each of the U.S. volumes after the first one (broadly titled "Japanese Cuisine") is focused on a particular aspect of that cuisine: Sake, Ramen and Gyoza, Fish, Sushi and Sashimi, Vegetables, The Joy of Rice, and Izakaya--Pub Food thus far. I dare say I've learned more about Japanese techniques, ingredients, and cooking philosophy from these comic books than anything I've read elsewhere. As an added bonus, each book has an actual recipe or two, taken from the stories in that volume.

Frod Jr.'s gotten into the Oishinbo series too, and has also read through all seven volumes. So when we were in Sushi Deli recently, looking through the refrigerated cases waiting for a spot to clear, he said "Why don't we make the ramen dish from the Oishinbo book?" This is what's known as a proud parent moment. We were able to round up most of the ingredients that we didn't already have right there.

It's an unusual miso ramen dish, in that it uses a fish-based katsuobushi dashi broth instead of the chicken- or pork-bone stock that is customary, and the miso is not in the broth, but rather in the ground pork which goes atop it. I was a little dubious when I first read through it, but it turned out fantastic - good enough to be worth sharing the recipe. Frod Jr. helped all along the way.

(Note: I have adjusted the measurements in the book's recipe some, doubling up most things other than the noodles. The book's recipe supposedly got 4 servings out of 6 oz. of ground pork, which seemed unlikely. The measurements below are probably good for about 6 servings).

OISHINBO STYLE MISO RAMEN

2 qts water
1 cup katsuobushi (shaved bonito flakes)
6 tbsp soy sauce
6 tbsp hatcho miso*
6 tbsp sake
2 tbsp sesame or peanut oil
4 garlic cloves, minced
1 large shallot, finely chopped
1 lb ground pork
6 scallions, finely chopped
1 cup mushrooms, finely chopped (recipe called for shiitakes, in their absence I used a mix that was available at the grocery store)
1 lb fresh ramen noodles (in the freezer case at Sushi Deli)

1. Bring the water to a boil in a large pot. Once it's reached a boil, add the katsuobushi, turn off the heat, and let it steep for 2 minutes. Strain through a chinois and return the dashi to the pot. Add the soy sauce (to taste) and hold on low heat while you prepare the rest of the dish.
2. Mix the miso with the sake until well combined and set aside.
3. Heat up a wok or large skillet over high heat. Add the oil, then add the garlic. Once the garlic starts to make the room smell good, add the pork and shallots. Cook, stirring constantly and breaking the pork up into small bits, for about 3-4 minutes. Add the mushroms and the scallions, reserving some of the greens of the scallion for garnish. Cook for another minute. Add the miso-sake mixture and stir in well. Cook until most of the liquid in the pan has evaporated, about another 4-5 minutes. Hold over low heat.
4. Heat a large pot of water to a vigorous boil. Add the ramen noodles and cook for 2-3 minutes, until they've just lost their firmness. Remove and drain the noodles and put them into bowls for service. Spoon some of the broth over the noodles, and top with the miso-flavored pork. Garnish with the chopped scallion greens.

This makes for an intriguing variation on a surf-and-turf. In truth, the dashi retains little in the way of fishy flavor once it's been bolstered with soy sauce and mixed with the miso-flavored pork, but it does provide a pleasingly smoky backnote, and has that unique combination of rich flavor and light texture that makes dashi so wonderful. And the pork, with the hatcho miso and mushrooms, is an umami-bomb of flavor. Together, and with some noodles to provide some ballast, they made for a great meal.

Fortunately, Frod Jr. and I were able to happily share credit for our preparation of this fine dish, and hopefully we won't be having any "Ultimate Menu" / "Supreme Menu" showdowns any time soon.

*Hatcho miso comes originally from the city of Hatcho and is supposed to be a very "pure" miso, with no rice or other grain added to the soybean base, consequently taking longer to ferment. It's very dark and rich, and less salty than other misos.