A commodity appears at first sight an extremely obvious, trivial thing. But its analysis brings out that it is a very strange thing, abounding in metaphysical subtleties and theological niceties. - Karl MarxVery generally speaking, I think most of us tend to think of art first and foremost from an aesthetic perspective. Yet it is also in most instances - to a greater or lesser degree - a commodity. The financial success of the recent Art Basel weekend undoubtedly attests to this. By the same token, most people tend to think of food first and foremost as a commodity - nothing more than a thing to be bought and consumed. Yet food also has the capacity to strive for art, aesthetics, even perhaps metaphysical subtleties.
A recent dinner which put together Chefs Kurtis Jantz and Chad Galiano (the guys behind the Paradigm dinners) and artist Stephen Gamson at PH2 provided an opportunity to explore the intersection points of art, culture and dining.
One of the things I so admire about Chefs K and Chad is the seriousness and earnestness with which they take any mission. I recall them telling me that when they did their first menu for the Miami Spice promotional program, they put their heads together to formulate a menu that would use spices to highlight local ingredients - only to be baffled when they saw so many other restaurants just cranking out the ubiquitous farmed salmon, chicken paillard and skirt steak. So I knew when they were asked to do a collaborative dinner with a local artist that they would come up with something inspired.
Gamson's pictures all use the same simple iconography, borrowed from the visual lingua franca seen on bathroom doors around the world. The first dish we had took visual cues from the artworks, roughly duplicating the forms in some "his and hers" stick-figure anticuchos of baby octopus and chicken liver (though I'm not sure which would be "his" and which "hers"). The baby octopus, marinated with green Tabasco sauce and lemon, was paired with a Boscoli olive sauce (a twist on pulpo al olivo). The chicken liver achieved a crispy exterior and a tender, warm interior, the crunchy batter made using Trisol (one of the many items in Ferran Adriá's "Texturas" bag of tricks). The aji panca tartar sauce was nicely brightened by an unexpected bit of fresh tarragon.
Next course, a Surf-n-Turf of "2 Tails": on the left, lobster tail, cooked sous vide, served over a green bean salad dressed with "Jester" vinegar (made, if I heard right, from the remnants of some heavy-duty Aussie Shiraz from a Mitolo wine-pairing dinner), paired with a 30-second microwave corn cake (derived from an Adriá technique which you can see here, with the added bonus of Anthony Bourdain throwing out an oblique René Magritte reference). On the right, an oxtail meat pie, with a wonderful tender buttery crust, topped with some hot pepper jelly which made for a nice contrast to the rich meat filling.
I was not anticipating a "shout-out" but, lo and behold, the next dish was called "Frod's Shrimp Dickles." Months ago, Chef K and I had gotten to talking about pickled shrimp and I'd told him my mom had a great recipe. He asked me for it, and I got it from Mother Frod and passed it along - certainly never expecting to see it turn up on a menu. But there it was, and their adaptation was actually not so far off from the original - though mom surely didn't pair hers with a surprisingly nice brussels sprout slaw (surprising for me, anyway, as I usually don't like brussels sprouts raw) and some home-made cheese-its. (If you really want the shrimp recipe, I'll post it). Chef K will tell you that a "dickle" is a "dill pickle" - that's also Chef K's creation, not Mother Frod's.